When I get to the pearly gates, St. Peter …

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Shooting the photographer

St. Peter will not ask ‘Did I shoot with Nikon, or Canon?’ Rather, it will be ‘Have you done your best?’  My friends were teasing me and said, no he will ask ‘if you shot with Hasselblad?’, or Leica.

There have been times in my life when I have been badly infected with ‘lens lust’; that is the belief that the next lens, gadget, techno wizzy thing will help me have the perfect photo !  It will won’t it?

And on the flip side is;
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I suspect that Steichen was correct, that at best we might get 80% out of our camera.  I remember my sister-in-law getting incredible shots with her instamatic camera.  And yet it is naïve to say that technology doesn’t enable us to take photos we couldn’t have taken otherwise.

As much as I love new toys and new gizzies, I know in my heart that quality, stunning photos come from the photographer, not from the camera.  There is a What the Duck cartoon with a person saying to the photographer, ‘Wow your camera really takes nice pictures’ and the Photographer responds with ‘and your lips make nice noises’. This Link is to a humorous article that covers this affliction in detail.

So, how do I continue my learning to become an ever better photographer?  I read, and I practice.  As I practice, I have to continually review and see what works and what does not work and figure out why that is so.  Here are some of the areas that I practice and learn  in:

  • Camera setup and manipulation; for each of the lens what is the ‘best’ way to change the lens, how do I set the camera up for a time delay shot, how do I choose focus points, how do I do things in the dark?   I was at Bryce Canyon standing on top of a soon to be hoodoo spire of rock that was barely big enough for the tripod legs and trying to change lens. The lens was attached to the tripod (third hand) and in one hand was the new lens, and the other the body when the tripod blew over, lens hits camera & cracks the back, and I nearly go over the edge… a learning opportunity…
  • How do I compose a shot? do I check my corners?  What exposure do I really want? did I get it?  The pic below is an early pic.  It could have been much stronger if the branch were on a diagonal and the pine cone in the bottom right.

    Pine Cone
    Pine Cone
  • What works for work flow, what better ways could I do something
  • Do I like the feeling in the photograph?  If not, what don’t I like and why?  The pic below has both the rear and the head of the buck, it would have been a better photo head on without the rear.  Additionally the pic is too contrasty for my tastes.

    Butt Head
    Butt Head
  • As I learn new techniques, how would I use them, where would I use them?

There are always opportunities to continue to improve, and yes, some may involve a new toy or gizzy, but the real photographer is me.

 

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